Reblitz pdf

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Excerpt from Modern Piano Tuning and Allied Arts: Including Principles and Practice of Piano Tuning, Regulation of Piano Action, Repair of the Piano, Elementary Principles of Player-Piano Pneumatics, General Construction of Player Mechanism, and Repair of Player Mechanism The construction of the piano has not in this volume been treated with minuteness of detail, for'this task I have already been able to perform in a former treatise; but in respect of the sound board, the strings, the hammers and the action, the subject-matter has been set forth quite elaborately, and some novel hypotheses have been advanced, based on mature study, research and experience.

Here also, however, the theoretical has been justified by the practical, and in no sense have I yielded to the temptation to square facts to theories. When Alexander Nikolayevich Scriabin's music was performed during his lifetime, it always elicited ecstatic responses from the listeners. Wilhelm Gericke, conductor of the Vienna opera, rushed backstage after one of Scriabin's concerts and fell on his knees crying, 'It's genius, it's genius Apparently, what Scriabin's audiences heard at the time was significantly different from, and vastly superior to, modern performances that are based primarily on published scores.

Scriabin recorded nineteen of his compositions on the Hupfeld and Welte-Mignon reproducing pianos in and , respectively. Full score transcriptions of the piano rolls, which are included in the book, provide many substantial features of Scriabin's performance: exact pitches and their timing against each other, rhythms, tempo fluctuations, articulation, dynamics and essential pedal application.

Using these transcriptions and other historical documents as the groundwork for his research, Anatole Leikin explores Scriabin's performing style within the broader context of Romantic performance practice. I have tried to set forth the theory of Equal Temperament in a manner at once correct and simple. Simultaneously I have tried to construct and expound a method for the practical application of that theory in practical tuning, equally correct, equally simple and yet thoroughly practical.

The construction of the piano has not in this volume been treated with minuteness of detail, for this task I have already been able to perform in a former treatise; but in respect of the soundboard, the strings, the hammers and the action, the subject-matter has been set forth quite elaborately, and some novel hypotheses have been advanced, based on mature study, research and experience.

Author : Arthur A. Reblitz Publisher : Vestal, N. Author : Arthur W. Author : Robert F.